After watching RICHARD III, I found the film endlessly fascinating. Part of the fascination lies in the age of the film itself. You rarely get to see a film from 1912 much less one in excellent condition. I felt as if I had gone back in time to a 19th century theatre which in effect I had as the actor playing Richard (Frederick Warde) was a legendary stage actor who came out of retirement to reprise his favorite role on film and have it captured for posterity. Much of RICHARD III is appropriately theatrical in nature with very theatrical sets but it is the exteriors that turn it into a real motion picture. Although the camerawork is static, the editing is imaginative and keeps it from being just a filmed play.
The DVD transfer of the film is remarkable. The color tints (mostly yellow and red) are effective and the print looks great for the vintage. The period intertitles are intriguing with Gloucester spelled phonetically (Gloster) for some reason. The commissioned score from Ennio Morricone is powerful, relentless, and highly effective. I strongly recommend this title to anyone interested not only in early movies but also in theatre history. This is a rare opportunity to see a genuine 19th century performance and the oldest surviving American feature film. However, be advised that this film isn’t for everyone not even fans of Shakespeare. Now that the remains of Richard III have been found, the more discerning among you should give it a try in his honor
The Capsule Critic 