The close of 2007 is an exciting time for silent film enthusiasts. A number of restorations of big name silent titles are scheduled for release by year’s end including BATTLESHIP POTEMKIN, NOSFERATU, THE IRON HORSE, and THE JAZZ SINGER (which despite its reputation is more silent than talkie). So far PANDORA’S BOX, TRUE HEART SUSIE, THE HUNCHBACK OF NOTRE DAME, and THE CAT AND THE CANARY have appeared with the last named being the winner in the restoration sweepstakes so far.
Considering previous versions of the film, this is the best looking one I’ve seen since METROPOLIS in 2003. The picture quality is outstanding (thanks to 35mm nitrate source materials), the film is complete (even the original Universal biplane opening is there), and the new score by Neil Brand fits the visuals perfectly (something which has not been the case in a few recent releases). Britain’s Photoplay Productions remains the premiere restoration outfit in the business today not only because of the knowledge of people like co-founder Kevin Brownlow and the cooperation between various archive sources but also because of the additional funds they seem to have available to do the job right. We’ll see how the others look once they’re released but they’ll be hard pressed to beat this one.
For those who have never seen it, THE CAT AND THE CANARY is the prototype old dark house film mixing murder, mirth, and mayhem with outstanding visuals and wonderful performances from all concerned. This new version allows you to see the film as audiences in 1927 must have seen it and gives you the opportunity of experiencing a silent film first hand. The print isn’t perfect but it’s darn close and as I mentioned earlier Neil Brand’s score is an absolute delight.
If you’ve never seen a silent film before then this is a good place to start. If you’re an old hand like me then you’ll rejoice at just how good the restoration is. It’s a pity all silent releases can’t be like this one but then when it comes to any of the arts in this country, most of the money available goes somewhere else and no project is better than it’s bottom line. Too bad.
The Capsule Critic 