THE KING OF KINGS (1927) Was Cecil B. DeMille’s Favorite OF His Films

THE KING OF KINGS is a remarkable film. I don’t think that I ‘ve ever seen a more reverent version (sound or silent) of the life of Jesus. It stands out among other biblical epics in that it strives not just for a retelling of events but for a recasting of them into myth. DeMille captures the essence of Christ and those around him with sincere performances coupled with soft focus photography and 19th century lighting. There are many memorable sequences scattered throughout the film. The casting out of the seven deadly sins from Mary Magdalene is one and the raising of Lazarus from the dead is another. The crucifiction scene is impressive even by today’s standards with lighting in the style of Gustave Dore’ and a massive earthquake sequence.

There are some outlandish moments as well (it is DeMille after all) especially Mary Magdalene (as Judas’ lover!) arriving to confront Jesus in a chariot driven by zebras. At 50 H.B. Warner should be too old to portray Christ but it is his age that lends a sense of gravity to the role. He has wonderfully expressive eyes which help to convey the inner spirituality of Jesus. Ernest Torrance as Peter strikes just the right balance between great strength and childlike simplicity. It’s also interesting to see Rudolf and Joseph Schildkraut (real life father and son) portray Caiaphas and Judas. Watch for their scenes together. DeMille took great pains to avoid charges of anti-semitism by adding a prologue and having Caiaphas take the blame for Christ’s death upon himself.

The restored 155 minute road show version is superb with the two technicolor scenes that bookend the movie looking great. There are important scenes missing from the general release version so it’s great to have them both available so you can make the comparison. Thanks to Criterion for making this important film available once again. You don’t have to be religious to enjoy THE KING OF KINGS. It stands on its own merit as one of the greatest movies of the silent era. It was also Cecil B. DeMille’s favorite among all his films.