LAUREL & HARDY: YEAR THREE – THE 1929 SHORTS Completes Their Silent Era Legacy
As 2025 draws to a close, Flicker Alley closes out their restorations of the silent films of Laurel & Hardy with LAUREL & HARDY: YEAR 3: THE NEWLY RESTORED 1929 SHORTS. This completes a project that began almost 10 years ago. The goal was to find and restore all 33 of the shorts that L&H made…
MOULIN ROUGE (1928): E.A. Dupont’s Penultimate Silent Movie Is Worth Rediscovering
E.A. Dupont (1891-1956) was one of the top directors during Germany’s Weimar years (1919-1933). Two of his noteworthy films during that time were THE ANCIENT LAW (1923) about the son of a Rabbi who becomes an actor and is shunned by his father (which became the basis for THE JAZZ SINGER 4 years later) and VARIETY (1925)…
MAN OF ARAN (1934): Robert Flaherty’s Controversial Irish Docudrama Remains Visually Stunning.
With my viewing of MAN OF ARAN (1934), I have now worked my way through all of the major works of filmmaker Robert J. Flaherty (1884-1951). In addition to ARAN, they are NANOOK OF THE NORTH (1922), MOANA (1926), and LOUISIANA STORY (1948). Two movies, TABU (1931) and ELEPHANT BOY (1937) were collaborative efforts with traditional…
HANNAY (1988): Engaging Brit Action Series Is A Prequel To THE 39 STEPS
The character of Richard Hanney first appeared in the 1914 novel THE 39 STEPS by Scottish author, intelligence officer, and eventual Governor General of Canada, John Buchan (1875-1940). Four more books featuring Hanney were written between 1916 and 1936. Hanney’s original character, a mining engineer from South Africa, ultimately developed into an early prototype of James…
THE EDGAR WALLACE MYSTERY THEATRE (1959-1965): 47 + 10 = Solid British Entertainment
THE EDGAR WALLACE MYSTERY THEATRE is remarkable is several ways. For one it’s not a made-for-television series but a collection of 47 one hour B movies made between 1959 and 1965. The second is the inclusion of 10 independent short features made separately, then lumped in when the series was sold to American TV. But what’s…
HE, WHO GETS SLAPPED (1924): Strange Initial Offering From The Newly Created MGM
HE WHO GETS SLAPPED has got to be the strangest initial offering from any major studio in early Hollywood history. It’s not what you’d expect from MGM which quickly became THE major Hollywood studio known for its glamour and huge roster of stars. What’s perhaps even stranger is the fact that the movie was a box office hit.…
THE BLANCHEVILLE MONSTER / HORROR (1963): Italian Faux Poe Is Wonderfully Evocative
While the Arrow Films GOTHIC FANTASTICO boxset does contain 4 Italian tales of terror, the title is somewhat misleading as only two of the films are truly Gothic. Of the two that aren’t Gothic, one (THE THIRD EYE) is a ripoff of Hitchcock’s PSYCHO while the other (THE WITCH) takes place in a modern setting.…
CASTLE OF BLOOD / LA DANZA MACABRA (1964): One Of Italian Gothic Cinema’s Finest Offerings
Having recently written a review for WEB OF THE SPIDER (1972), Antonio Margheriti’s color remake of his 1964 CASTLE OF BLOOD (LA DANZA MACABRA), I should also write one for CASTLE. As mentioned in that earlier review, CASTLE is one of the most important and highly regarded examples of Italian Gothic cinema, second only to Mario…
THE MAD EXECUTIONERS (1963): One Of The More Notable Examples Of The German “Krimi”
The European phenomenon of the German crime film or Krimi lasted from 1959 until 1972. The vast majority of these films were inspired by the works of British mystery writer Edgar Wallace (1875-1932), and most of the rest focused on the writings of his son Bryan Edgar Wallace (1904-1971). Two production companies were involved in the…
WEB OF THE SPIDER (1972): Antonio Margheriti’s Color Remake Of His 1964 CASTLE OF BLOOD
THE WEB OF THE SPIDER (1972) is director Antonio Margheriti’s color remake of his 1964 DANZA MACABRA (CASTLE OF BLOOD) which, along with Mario Bava’s LA MASCHERA DEL DEMONIO (BLACK SUNDAY) is considered one of the twin pillars of Italian Gothic Cinema. This genre flourished from 1957-1972 making SPIDER one of the last examples to be…
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The Capsule Critic 