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THE BRIGHTON STRANGLER and I have an interesting history together. I first saw the movie back in 1962 when I was 10 years old. I was home from school sick and it was shown on a local TV station. Back in those days, the morning news stopped at 9am and the game shows didn’t begin until 11.Continue reading “THE BRIGHTON STRANGLER (1945): From Out Of The Past To Influence My Future”

I first read about the legendary German silent film THE STUDENT OF PRAGUE (1926) when I was 15 years old. Now almost 60 years later, I finally got to see it in a restored version from the Munich Film Museum and it made quite an impression. Of all the legendary German silents, STUDENT is theContinue reading “THE STUDENT OF PRAGUE (1926) Is One Of Conrad Veidt’s Best.”

 I have waited more than 30 years for the 1993 Photoplay Productions restoration of the 1921 anti-war epic THE FOUR HORSEMEN OF THE APOCALYPSE to become available in a quality home video edition and now it has. Mention Rudolph Valentino to most people and they immediately think of THE SHEIK. However it was the earlier FOURContinue reading “THE FOUR HORSEMEN OF THE APOCALYPSE (1921): Rudolph Valentino’s Breakthrough Role”

During the mid-1940s, the success of the B movie horror units at Universal and at RKO tempted 3 of the best known Poverty Row studios (Monogram, PRC, and Republic) to produce B movie horrors of their own. A great deal of attention has been paid to the horror films of the first two outfits withContinue reading “CATMAN OF PARIS (1946): Republic B Movie Features A Fearsome Feline Figure”

ORIGINAL 2003 REVIEW MERRY-GO-ROUND was one of those silent films which was more talked about than actually seen. This was the movie in which producer Irving Thalberg fired director Erich von Stroheim halfway through the shooting. Rupert Julian (PHANTOM OF THE OPERA) replaced him as director and was given sole credit. Thalberg would leave UniversalContinue reading “MERRY-GO-ROUND (1923): Started by Erich von Stroheim But Finished By Rupert Julian”

The career of American born director Joseph Losey ( 109-1984) is a fascinating one. He is the poster boy for the many Hollywood writers and directors who were forced to leave Hollywood because of the 195os blacklisting.  After a promising start with movies such as the allegorical THE BOY WITH GREEN HAIR (1948) and a remakeContinue reading “THE SLEEPING TIGER (1954) Launched Joseph Losey’s & Dirk Bogarde’s Careers”

I am very surprised, after reading many of these comments, that most of the people commenting don’t seem to realize that MARGAM CASTLE is an intentional homage and that its “tropes” deliberately reference several well known horror movies of the past. There’s THE HAUNTING (both versions), THE LEGEND OF HELL HOUSE, THE SIXTH SENSE, WITCHFINDERContinue reading “THE HAUNTING OF MARGAM CASTLE (2020): TV Movie Is Homage To Several Horror Films”

Back in 2017 Flicker Alley released a restored version of Irvin Willat’s 1919 BEHIND THE DOOR, an intense but forgotten World War I melodrama that still has the power to engage and shock a modern audience. Now they have released, on their Flicker Fusion series in partnership with The San Francisco Silent Film Festival, aContinue reading “BELOW THE SURFACE (1920): A Powerful Silent Drama Beautifully Restored”

ISN’T LIFE WONDERFUL was D.W. Griffith’s last independent production before he was forced to sell his Mamaroneck studio to help pay off mounting debts from his Revolutionary War epic America and his bad business practices. Though little known today compared to earlier films like BIRTH OF A NATION or INTOLERANCE, this little film, in myContinue reading “D.W. Griffith’s Last Great Film”

THE UGLY DUCKLING is a 1959 crime comedy from Hammer Films that is a parody of DR JEKYLL & MR HYDE. In fact the opening credits state that the idea was stolen from Robert Louis Stevenson. The movie, like its namesake, was unwanted for a very long time but seems to have finally come into its own.Continue reading “THE UGLY DUCKLING (1959): A Delightful Oddity From Hammer Films”