THE CAPTIVE (1915): Early DeMille Offering Is A Real Eye-Opener

To the general public the name of Cecil B. DeMille is associated with his last movie, the 1956 THE TEN COMMANDMENTS, which is actually a remake of his 1923 silent epic of the same name. They may also be familiar with THE GREATEST SHOW ON EARTH and SAMSON AND DELILAH. Real movie aficionados know hisContinue reading “THE CAPTIVE (1915): Early DeMille Offering Is A Real Eye-Opener”

THE CAT & THE CANARY (1927): Photoplay’s Restoration Is Simply Marvelous

The close of 2007 is an exciting time for silent film enthusiasts. A number of restorations of big name silent titles are scheduled for release by year’s end including BATTLESHIP POTEMKIN, NOSFERATU, THE IRON HORSE, and THE JAZZ SINGER (which despite its reputation is more silent than talkie). So far PANDORA’S BOX, TRUE HEART SUSIE,Continue reading “THE CAT & THE CANARY (1927): Photoplay’s Restoration Is Simply Marvelous”

MAN WHO LAUGHS Is The Other Great Victor Hugo Silent

I read Victor Hugo’s THE MAN WHO LAUGHS in 9th grade. First the Classics Illustrated version and then the book itself. I had already read HUNCHBACK OF NOTRE DAME and TOILERS OF THE SEA and loved them both. Caught in that awkward transitional age between junior high and high school during the turbulent 1960’s, IContinue reading “MAN WHO LAUGHS Is The Other Great Victor Hugo Silent”

THE LAST WARNING (1929): Paul Leni’s Swan Song Beautifully Restored

German director Paul Leni (1885-1929), almost a century after his death, is finally getting the recognition he deserves. His 4 most important films are now available on home video with the last two in quality Blu-Ray/DVD editions from Flicker Alley. For the record the films are 1) WAXWORKS (made in Germany in 1924) and theContinue reading “THE LAST WARNING (1929): Paul Leni’s Swan Song Beautifully Restored”

HUNCHBACK OF NOTRE DAME (1957): Despite Flaws This Version Has Surprising Staying Power

Like many reviewers, I first saw this version as a child and even as a kid I was not impressed. It looked positively low budget compared to the Charles Laughton version (I didn’t see the Lon Chaney version until many years later) and Anthony Quinn was certainly no Charles Laughton. Of course I saw itContinue reading “HUNCHBACK OF NOTRE DAME (1957): Despite Flaws This Version Has Surprising Staying Power”

LES MISERABLES (1935 / 1952)

Now that the long awaited version of the long running musical has finally made it to the big screen, it’s a worthwhile exercise to go back and look at two celebrated American versions of Victor Hugo’s original source material. There are two French versions (1934, 1957) that run almost 4 hours and there is theContinue reading “LES MISERABLES (1935 / 1952)”

KAREL ZEMAN: Unique Film Fantasies Must Be Seen To Be Believed

I first encountered Karel Zeman in the 1960s when the dubbed American version of INVENTION FOR DESTRUCTION known as THE FABULOUS WORLD OF JULES VERNE with an introduction by Hugh Downs aired on my local TV station. I had never seen anything like it. This is shortly before I discovered the illustrations of Gustave Dore’Continue reading “KAREL ZEMAN: Unique Film Fantasies Must Be Seen To Be Believed”

THE MAGIC OF GEORGES MELIES: An Absolutely Splendid Set

Of all the early film pioneers, I have always had a soft spot for Georges Melies. I love tricks and magic as they invite you to suspend disbelief and make you believe, if only temporarily, that anything is possible. After all that is what movies do especially silent movies and no one in the silentContinue reading “THE MAGIC OF GEORGES MELIES: An Absolutely Splendid Set”

A TRIP TO THE MOON: The Ultimate Edition

Thanks to Martin Scorsese and his movie HUGO, most of the world now knows who Georges Melies is and where that iconic shot of the Man in the Moon with a projectile stuck in his eye came from. Up until now A TRIP TO THE MOON has been available in several different editions of varyingContinue reading “A TRIP TO THE MOON: The Ultimate Edition”

MELIES – FAIRY TALES IN COLOR: Latest Combo From Flicker Alley Is Truly Mind Blowing

As a devotee’ of silent movies since seeing a Harold Lloyd compilation in 1962, I have always had a special place in my heart for the fantasy films of Georges Melies. For years all I knew was A TRIP TO THE MOON and THE DEVIL IN A CONVENT from stills. I first saw TRIP inContinue reading “MELIES – FAIRY TALES IN COLOR: Latest Combo From Flicker Alley Is Truly Mind Blowing”