THE BLACK SCORPION Still Delivers A Shiver Down The Spine

Of the numerous black & white 1950s & 60s horror/sci-fi films that I watched as a kid back in the 1950s & 60s, there were three that stood out in their ability to give me nightmares. One was Hammer’s X THE UNKNOWN. the second was Gramercy’s THE VAMPIRE and the third was this one. IContinue reading “THE BLACK SCORPION Still Delivers A Shiver Down The Spine”

FANTOMAS Is The GREAT Grandaddy Of All Crime Thrillers

For those of you not familiar with Louis Feuillade, he was the artistic director of France’s Gaumont Studios from 1907-1918 during which time he directed or supervised over 800 films. He is best remembered today for his groundbreaking crime serials FANTOMAS, JUDEX, and LES VAMPIRES which still have the power to amaze and entertain almostContinue reading “FANTOMAS Is The GREAT Grandaddy Of All Crime Thrillers”

KILL BABY KILL (1966): My Favorite Mario Bava Movie

While KILL BABY KILL (Original Italian Title – OPERAZIONE PAURA “How Fear Operates”) is not Mario Bava’s best movie, it has always been my personal favorite of his. Like so many of Bava’s movies, I first saw it in a drive-in theatre in the 1970s. At that time it was called CURSE OF THE LIVINGContinue reading “KILL BABY KILL (1966): My Favorite Mario Bava Movie”

CALTIKI (1959): Italian Gothic Horror Sci-Fi, What A Combo!

It is becoming increasingly apparent that the older I get, the more I’m revisiting the classic monster movies of my youth but now with an adult’s perspective. It is also apparent that the vast majority of these movies that made an impact on me were photographed in black & white. No one was better atContinue reading “CALTIKI (1959): Italian Gothic Horror Sci-Fi, What A Combo!”

THE VAMPIRE / THE VAMPIRE’S COFFIN: Two Classic Mexican Horror Films With One Better Than The Other

It has been several years now since a small outfit called CasaNegra Films released a series of classic 1950s Mexican horror films on DVD. The 1950s films in Mexico were similar to those that Universal made back in the 1930s. In a few instances, some were even better as the atmosphere in these films surpassedContinue reading “THE VAMPIRE / THE VAMPIRE’S COFFIN: Two Classic Mexican Horror Films With One Better Than The Other”

BLACK PIT OF DR. M Is An Unexpected Gem

Back in the 1960s I can remember reading reviews of Mexican horror films in Stephen H. Scheuer’s TV KEY MOVIE GUIDE (this was before Leonard Maltin) and they were always given really terrible reviews. They played on our local TV station’s SHOCK THEATRE but I never saw one in its entirety. What I do rememberContinue reading “BLACK PIT OF DR. M Is An Unexpected Gem”

THE WITCH’S MIRROR Has Everything But The Kitchen Sink

I vaguely remember seeing a few Mexican horror films on my local TV channel when I was growing up. The quality of the prints weren’t great and, even to an 8 year old, the dubbing was atrocious. This one and a Russian (Soviet) film called THE DAY THE EARTH FROZE stuck with me because theyContinue reading “THE WITCH’S MIRROR Has Everything But The Kitchen Sink”

SHERLOCK HOLMES (1939-1946): The Basil Rathbone/Nigel Bruce Films Restored

My parents had a collection of the complete Sherlock Holmes stories in our home library. I first read all of them when I was 12. Like many others in my generation (I was born in 1952) my first encounter with Sherlock Holmes was on TV in these classic B&W movies with Basil Rathbone & NigelContinue reading “SHERLOCK HOLMES (1939-1946): The Basil Rathbone/Nigel Bruce Films Restored”

RICHARD III (1912): America’s Earliest Surviving Feature Is Primarily For Film Scholars

After watching RICHARD III, I found the film endlessly fascinating. Part of the fascination lies in the age of the film itself. You rarely get to see a film from 1912 much less one in excellent condition. I felt as if I had gone back in time to a 19th century theatre which in effectContinue reading “RICHARD III (1912): America’s Earliest Surviving Feature Is Primarily For Film Scholars”

OTHELLO (1965): Olivier’s Now Politically Incorrect Version Is Not For All Tastes

As you can see by reading the other reviews here, people either love, like, or loathe Olivier’s performance. I’m definitely in the like category. I don’t love it but neither do I hate it. I don’t have a problem with the black make-up in view of the overtly theatrical nature of the film (Olivier’s ArabContinue reading “OTHELLO (1965): Olivier’s Now Politically Incorrect Version Is Not For All Tastes”